Despite this minor flaw, this is one of my top ten overall films. Certainly the tensions in a town at a political tipping point could be construed to apply to the nation at large (even three decades later), but as with many movies, any political baggage found in the film is most likely something you brought with you.Īnd let me be clear. The messages aren't bad, or contrary to the tone and point of the story at all - indeed they do help paint a realistic portrait of the town and the people in it - they just come across as a slightly less well-delivered. Like bits from an earlier draft that he's too in love with to change as the story fills itself out organically. In this movie, the story is so beautifully told, so damn near perfect, that the messages seem a bit inserted. Sometimes, these messages trip up the storytelling itself. Sayles usually has messages in his films, things he feels are important to communicate to his audience. Sadly, I sort of agree with the reviewer on the film's single negative point, although I think the way he phrases it is completely wrong and quite overstated. Similarly, the screencaps are also free of major spoilers, but there are a few that do reveal less important plot points that are better to simply experience in the film. So my personal advice is skip the review. But part of the joy of the film is watching how every little detail unwinds, so I'd say it's far better to go into the film completely blind. The review here tends to avoid major spoilers. Barnes & Noble Classics offer a wide selection of American classics. It includes all of the classic fables whose titles and morals have become part of our common cultural vocabulary, among them 'The Boy Who Cried Wolf,' 'The Tortoise and the Hare,' 'The City Mouse and the Country Mouse,' 'The Dog. The review and screencaps don't contain spoilers do they? Aesop's Illustrated Fables features more than 400 fables, beautifully illustrated with engravings and color plates by Arthur Rackham, Walter Crane, and Ernest Griset.
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